In their last subscription concert of the year the Vienna Philharmonic revive the successfull long-time relationship with Daniel Barenboim. This time they perform Bedřich Smetana's highly popular "My Country". The famous conductor from Argentina is an Israeli citizen as well and their national anthem shares its most famous melody with Bedřich Smetana's "My Country".
From the very beginning, Barenboim possessed a musicality that touched people directly without being bound to rigid concepts. He gave his debut at the age of ten in Vienna and Rome. At the age of eleven he took part in a conducting course led by Igor Markevitch in Salzburg, where he met and played for Wilhelm Furtwängler in 1954. The charismatic German conductor is, along with Sir John Barbirolli, Barenboim’s role model. As a conductor, Barenboim exudes a greatness that critics have attempted to characterize with the words “intelligence and feeling” or “spontaneity and boundlessness.”
When Otto Nicolai left Vienna permanently in 1847, the young enterprise almost collapsed, having lost in one person not only its artistic but also its administrative leader. Twelve years of stagnation followed before a new innovation brought about the long-awaited change of fortune. On January 15, 1860, the first of four subscription concerts took place in the Kärntnertortheater under the baton of then opera director Carl Eckert, and since that time, the "Philharmonic Concerts" have been staged without interruption. The only significant change in all those years was to switch from having one conductor for a complete season of subscription concerts to the present system of having various guest conductors within a season.
My Country (Má vlast)
As one of the most important new genres of Romantic music, symphonic poems were a real success in the 19th century. The Romantics, especially Hector Berlioz, composed symphonies and other orchestral pieces with literary models. This resulted in freedom in all elements of composition and enabled the creator to direct the listener's emotions and associations even more p...